Beauty Myths in “The Substance”: Self-Perception in a Consumer Culture
The
film The Substance provides a critical look at how beauty myths shape
individuals' perceptions of themselves and others. These myths are perpetuated
by societal norms, media representations, and cultural expectations that often
impose unrealistic standards. By unraveling these ideals, the film invites
audiences to question what beauty truly means.
At the heart of The Substance is the connection between beauty myths and consumer culture. Industries profit from people's insecurities by selling products and services that claim to enhance physical attractiveness. The film portrays the character Elizabeth Sparks who become trapped in this cycle, spending money and time trying to achieve unattainable ideals. This critique sheds light on how consumerism exploits people's vulnerabilities.
Media
platforms also play a central role in reinforcing narrow definitions of beauty.
Advertisements, films, and social media frequently highlight a singular image
of perfection, excluding diversity in terms of race, body type, and age. In the
film, Elizabeth who don't conform to these standards face judgment or
invisibility, reflecting the exclusionary nature of mainstream beauty ideals.
The
psychological effects of these myths are deeply felt by the Elizabeth. They experience self-doubt, anxiety, and even depression as they
strive to meet societal expectations. The film underscores that these struggles
are not the result of personal failure but are rooted in the oppressive nature
of beauty standards.
Interestingly,
The Substance also explores how beauty myths influence relationships. Elizabeth find herself judged not only by strangers but also by friends and
loved ones. This creates tension and insecurity, demonstrating how beauty
expectations affect not only individuals but also their connections with
others.
A
key turning point in the film is when certain characters begin to challenge
these myths. Through self-reflection and support from others, they start to
reject societal pressures and embrace their authentic selves. This transformation
highlights the importance of inner strength and acceptance in overcoming the
negative impact of beauty standards.
The
film emphasizes that beauty goes beyond physical appearance. Traits like
kindness, intelligence, and confidence are portrayed as more valuable than
external attributes. Characters who focus on these qualities experience
personal growth and fulfillment, underscoring the message that inner beauty
holds greater significance.
Moreover, The Substance encourages viewers to rethink societal norms and redefine beauty for themselves. By showcasing diverse characters and breaking traditional molds, the film aligns with modern movements advocating for body positivity and inclusivity. This message is both timely and empowering.
Another
important aspect the film addresses is the generational impact of beauty
standards. Young characters are shown grappling with these ideals from an early
age, influenced by family, media, and peer pressure. This focus underscores the
need for parents and educators to promote healthier perspectives on beauty to
prevent long-term harm.
The
Substance delivers a call to action for society to embrace diversity and
individuality. It challenges audiences to reflect on their own biases and
contributions to the perpetuation of harmful beauty myths. This powerful
message resonates with viewers and encourages them to become advocates for
change in their communities.
In
conclusion, The Substance offers a profound critique of beauty myths while
promoting self-acceptance and individuality. It serves as a reminder that true
beauty lies in authenticity and diversity, not in conforming to societal
expectations. The film inspires viewers to embrace their uniqueness and resist
the pressures of an image-obsessed culture.
Fischetti, F., Latino, F., Cataldi,
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The role of physical education and sport. Journal of Human Sport and
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Newland, C. (2016). The beauty myth.
In Sight and Sound (Vol. 26, Issue 7).
https://doi.org/10.1097/00006534-199304001-00039
Noya, M. A. E., Dirgantara, A. A.,
& Putri, G. A. (2024). Beauty and Violence in Beauty by Tony Hoagland. Journal
of English Studies, 2(1), 43–54.
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